Simone Salvatore Melis (Trento, 1995) is a graphic designer and curator based in Milan. After graduating from the Free University of Bolzano, he moved to Milan where he joined Studio Folder before co-founding the design studio hund. Starting from 2019 he supports the activity of the artist-run space BRACE BRACE in Milan in the role of art director and curator. He is currently attending the MA course in Visual Cultures and Curatorial Practices at Brera Academy of Fine Arts in Milan. In 2023 he interned at Studio Celant, working in the archive of critic and curator Germano Celant. [Mail] [Instagram]
Golfi verdi e parquet Panga Panga. Milano San Felice, softcover, 176 pages, 240 x 300 mm, published by Humboldt Books, Milano, 2023
Golfi verdi e parquet Panga Panga. Milano San Felice, softcover, 176 pages, 240 x 300 mm, published by Humboldt Books, Milano, 2023
Golfi verdi e parquet Panga Panga. Milano San Felice, softcover, 176 pages, 240 x 300 mm, published by Humboldt Books, Milano, 2023
Golfi verdi e parquet Panga Panga. Milano San Felice, softcover, 176 pages, 240 x 300 mm, published by Humboldt Books, Milano, 2023
Serenata. Enzo Forese, Cecilia Mentasti, curated by Simone S. Melis. Exhibition view, Castel Hörtenberg, Bolzano, 2022 [ph Carlos Gasparotto]
Serenata. Enzo Forese, Cecilia Mentasti, curated by Simone S. Melis. Exhibition view, Castel Hörtenberg, Bolzano, 2022
Serenata. Enzo Forese, Cecilia Mentasti, curated by Simone S. Melis. Exhibition view, Castel Hörtenberg, Bolzano, 2022 [ph Carlos Gasparotto]
Monuments also die (installation and performance), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (installation), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (research), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (photographs), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (photographs), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (photographs), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (photographs), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die, installation view of the exhibition Kunst ist. 20 anni di MeranoArte, curated by Andreas Kofler and Magdalene Schmidt, KunstMerano/MeranoArte, 2021 – Ph Ivo Corrà
Monuments also die (documentation book), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (documentation book), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (documentation book), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (collage), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
New Domestic Escape, softcover with dust-jacket, 143 pages, 120 x 245 mm, edited by IDM Südtirol and Free University of Bolzano-Bozen, 2021 [with and as hund]
New Domestic Escape, softcover with dust-jacket, 143 pages, 120 x 245 mm, edited by IDM Südtirol and Free University of Bolzano-Bozen, 2021 [with and as hund]
Lupo Borgonovo, website, 2020
Lupo Borgonovo, website, 2020
Lupo Borgonovo, website, 2020
Lilo Hermann und Der Kaiser von Atlantis, saddle-stitch bound, 16 pages, 210 x 140 mm, 2018, opera program for Conservatorio Monteverdi Bolzano
Lilo Hermann und Der Kaiser von Atlantis, saddle-stitch bound, 16 pages, 210 x 140 mm, 2018, opera program for Conservatorio Monteverdi Bolzano
Lilo Hermann und Der Kaiser von Atlantis, saddle-stitch bound, 16 pages, 210 x 140 mm, 2018, opera program for Conservatorio Monteverdi Bolzano
Lilo Hermann und Der Kaiser von Atlantis, saddle-stitch bound, 16 pages, 210 x 140 mm, 2018, opera program for Conservatorio Monteverdi Bolzano
Unfolding Pavilion. Rituals of Solitude, online exhibition curated by Davide Tommaso Ferrando and Daniel Tudor Munteanu, 2020 [with and as hund]
Unfolding Pavilion. Rituals of Solitude, online exhibition curated by Davide Tommaso Ferrando and Daniel Tudor Munteanu, 2020 [with and as hund]
Unfolding Pavilion. Rituals of Solitude, online exhibition curated by Davide Tommaso Ferrando and Daniel Tudor Munteanu, 2020 [with and as hund]
Unfolding Pavilion. Rituals of Solitude, online exhibition curated by Davide Tommaso Ferrando and Daniel Tudor Munteanu, 2020 [with and as hund]
Eccellenze italiane. La nuova generazione degli illustratori per ragazzi, softcover, 128 pages, 190 x 265 mm, published by Corraini Edizioni, Mantova, 2021 [with and as hund]
Eccellenze italiane. La nuova generazione degli illustratori per ragazzi, softcover, 128 pages, 190 x 265 mm, published by Corraini Edizioni, Mantova, 2021 [with and as hund]
Eccellenze italiane. La nuova generazione degli illustratori per ragazzi, softcover, 128 pages, 190 x 265 mm, published by Corraini Edizioni, Mantova, 2021 [with and as hund]
Vases, collage, 2016
N.30 di 469, saddle-stitch bound, 8 pages, 210 x 297 mm, 2018, realized during The Hidden City, Palazzo Abatellis, Palermo
N.30 di 469, saddle-stitch bound, 8 pages, 210 x 297 mm, 2018, realized during The Hidden City, Palazzo Abatellis, Palermo
Exercises in graphic design, installation for the exhibition in_festa, co_atto space, Milan, 2020 [with and as hund]
Exercises in graphic design, installation for the exhibition in_festa, co_atto space, Milan, 2020 [with and as hund]
Serenata. Enzo Forese, Cecilia Mentasti (exhibition guide), folded A3, 210 x 297 mm, curated by Simone S. Melis, Castel Hörtenberg, Bolzano, 2022
Serenata. Enzo Forese, Cecilia Mentasti (exhibition guide), folded A3, 210 x 297 mm, curated by Simone S. Melis, Castel Hörtenberg, Bolzano, 2022
Website for the London-based photographer Carlos Gasparotto, 2022
Website for the London-based photographer Carlos Gasparotto, 2022
Website for the London-based photographer Carlos Gasparotto, 2022
Diplorama 2021 Universal Set (lettering), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo]
Diplorama 2021 Universal Set (catalogue), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo]
Diplorama 2021 Universal Set (catalogue), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo]
Diplorama 2021 Universal Set. Faculty of Design and Art Graduation show (catalogue), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo]
Diplorama 2021 Universal Set (catalogue), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo]
Diplorama 2021 Universal Set (exhibition design), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo] Ph Pietro Coda
Diplorama 2021 Universal Set (exhibition design), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo] Ph Alberto Cappellina
From Giorgio Vasari, “Battaglia di Scannagallo” - fresco, 1565. Salone dei Cinquecento, Palazzo Vecchio - Florence
Broken Nature XXII Triennale di Milano, edited by Paola Antonelli and Ala Tannir, softcover, 360 pages, 190 x 245 mm, published by Electa, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milano] – Ph Delfino S. Legnani
Broken Nature XXII Triennale di Milano, edited by Paola Antonelli and Ala Tannir, softcover, 360 pages, 190 x 245 mm, published by Electa, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milano] – Ph Delfino S. Legnani
Mostra Internazionale d’Arte Cinematografica: La Biennale di Venezia 1932–2019, softcover, 1031 pages, 165 x 240 mm, published by La Biennale di Venezia, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Mostra Internazionale d’Arte Cinematografica: La Biennale di Venezia 1932–2019, softcover, 1031 pages, 165 x 240 mm, published by La Biennale di Venezia, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Daisy (drawings), drawing machine, contribution for the research project Macchine per disegnare by Giorgio Camuffo and Maddalena Dalla Mura, Free University of Bolzano-Bozen, 2016
Ginevra Dolcemare, portfolio for the artist, 2021
BRACE BRACE (visual identity), artist-run space, Milan, 2019 – Ph Francesco Paleari
BRACE BRACE (website), artist-run space, Milan, 2019 [with Ernesto Bellei]
BRACE BRACE (website), artist-run space, Milan, 2019 [with Ernesto Bellei]
BRACE BRACE (website), artist-run space, Milan, 2019 [with Ernesto Bellei]
Walk-in studio, Jacopo Rinaldi. iio sono un disgraziato il mio destino è di morire in prigione strangolato (exhibition posters), BRACE BRACE, Milan, 2020 – Ph Francesco Paleari
Cecilia Mentasti. have you ever been / where you already are? //, Altana. A place to enjoy the view (exhibition posters), BRACE BRACE, Milan, 2019-2020 – Ph Francesco Paleari, Elia Pinna
Francesco Pozzato. La tenda dei cento divani, Cecilia Mentasti. have you ever been / where you already are? // (exhibition posters), BRACE BRACE, Milan, 2019-2021 – Ph Francesco Paleari
Francesca Finotti. burning, burning (booklet), saddle-stitch bound, 12 pages, 120 x 180 mm, BRACE BRACE, Milan, 2019
Francesco Pozzato. La tenda dei cento divani (exhibition guide), folded A3, project curated by BRACE BRACE for ArtVerona16, Verona, 2021
Jacopo Rinaldi. iio sono un disgraziato il mio destino è di morire in prigione strangolato (booklet), saddle-stitch bound, 20 pages, 160 x 240 mm, drawing on the back cover by Alessandro Di Pietro, BRACE BRACE, Milan, 2019
Ginevra Dolcemare, Guildor. A Political Statement (digital invite), project curated by BRACE BRACE for SPRINT – Indipendent Publishers and Artists’Books Salon 2020, Milan
Ginevra Dolcemare, Guildor. A Political Statement (foldable poster), 297 x 420 mm, project curated by BRACE BRACE for SPRINT – Indipendent Publishers and Artists’Books Salon 2020, Milan
Studio sulle arti performative (Spotify covers), a project by BRACE BRACE, Milan, 2020
BRACE BRACE (napkins), BRACE BRACE, Milan, 2021 [with Elisa di Nofa]
Cecilia Mentasti. have you ever been / where you already are? // (exhibition map), BRACE BRACE, Milan, 2021
QuiLiLa, installation with custom helium-inflated balloons, Free University of Bolzano–Bozen, 2017 [with Antonio Alessandro Di Cicco]
Giorgio Camuffo. Cani morti (artist book), transparent dust-jacket, 16 riso-printed pages, 145 x 210 mm, published by Cavalli Educati (Antonio A. Di Cicco, Simone S. Melis), Bolzano, 2017
Laurina Paperina. Porci comodi (artist book), transparent dust-jacket, 16 riso-printed pages, 145 x 210 mm, published by Cavalli Educati (Antonio A. Di Cicco, Simone S. Melis), Bolzano, 2017
Psicosi e lenticchie. Cronache di un’Italia che trema (installation), Free University of Bolzano–Bozen, 2016 [with Andrea Lascala]
Psicosi e lenticchie. Cronache di un’Italia che trema (installation), Free University of Bolzano–Bozen, 2016 [with Andrea Lascala]
Psicosi e lenticchie. Cronache di un’Italia che trema, (installation), Free University of Bolzano–Bozen, 2016 [with Andrea Lascala]
Psicosi e lenticchie. Cronache di un’Italia che trema, softcover, 100 x 120 mm, published in the occasion of FAKE NEW(S) organized by Pietro Corraini and Matteo Moretti, Free University of Bolzano–Bozen, 2016
Night Shifts series. Talks from the Art Studios, posters, 500 x 700 mm, Faculty of Design and Art, Free University of Bolzano–Bozen, 2018
Niklaus Troxler. Open Talk, series of three posters, 700 x 100 mm, Free University of Bolzano–Bozen, 2018
Andrea Artemisio. Zanzare, exhibition identity for MASSIMO space, Milan, 2022
L'avvenire appartiene ai fantasmi. L'archivio delle donne nell'Accademia di Brera, exhibition identity for Accademia di Belle Arti di Brera, Milan, 2022
L'avvenire appartiene ai fantasmi. L'archivio delle donne nell'Accademia di Brera, exhibition identity for Accademia di Belle Arti di Brera, Milan, 2022
L'avvenire appartiene ai fantasmi. L'archivio delle donne nell'Accademia di Brera (catalogue), exhibition identity for Accademia di Belle Arti di Brera, Milan, 2022
Venite a vedere Milano San Felice (exhibition guide), folded A3, exhibition curated by BRACE BRACE, Milan, 2023
Biscotto. Andrea Di Lorenzo, Bekhbaatar Enkthur, exhibition identity for Spazio Contemporanea, Brescia, 2023
Frantoio sociale, research project with Studio GISTO, 2021 [with and as hund]
Frantoio sociale, research project with studio GISTO, workshop in the context of Non-Extractive Architecture, VAC Foundation, Venice, 2021 [with and as hund]
Design as a tool for transition: the Atelier Luma approach, edited by Vera Sacchetti and Jan Boelen, hardcover with dust-jacket printed with algae-based ink, 271 pages, 160 x 240 mm, published by Luma Foundation, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Design as a tool for transition: the Atelier Luma approach, edited by Vera Sacchetti and Jan Boelen, hardcover with dust-jacket printed with algae-based ink, 271 pages, 160 x 240 mm, published by Luma Foundation, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Design as a tool for transition: the Atelier Luma approach, edited by Vera Sacchetti and Jan Boelen, hardcover with dust-jacket printed with algae-based ink, 271 pages, 160 x 240 mm, published by Luma Foundation, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Design as a tool for transition: the Atelier Luma approach, edited by Vera Sacchetti and Jan Boelen, hardcover with dust-jacket printed with algae-based ink, 271 pages, 160 x 240 mm, published by Luma Foundation, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Building a New New World. Amerikanizm in Russian Architecture, map design for the exhibition held at the CCA Montreal, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Building a New New World. Amerikanizm in Russian Architecture, map design for the exhibition held at the CCA Montreal, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Building a New New World. Amerikanizm in Russian Architecture, map design for the exhibition held at the CCA Montreal, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Simone Salvatore Melis (Trento, 1995) is a graphic designer and curator based in Milan. After graduating from the Free University of Bolzano, he moved to Milan where he joined Studio Folder before co-founding the design studio hund. Starting from 2019 he supports the activity of the artist-run space BRACE BRACE in Milan in the role of art director and curator. He is currently attending the MA course in Visual Cultures and Curatorial Practices at Brera Academy of Fine Arts in Milan. In 2023 he interned at Studio Celant, working in the archive of critic and curator Germano Celant. [Mail] [Instagram]
Golfi verdi e parquet Panga Panga. Milano San Felice, softcover, 176 pages, 240 x 300 mm, published by Humboldt Books, Milano, 2023
Golfi verdi e parquet Panga Panga. Milano San Felice, softcover, 176 pages, 240 x 300 mm, published by Humboldt Books, Milano, 2023
Golfi verdi e parquet Panga Panga. Milano San Felice, softcover, 176 pages, 240 x 300 mm, published by Humboldt Books, Milano, 2023
Golfi verdi e parquet Panga Panga. Milano San Felice, softcover, 176 pages, 240 x 300 mm, published by Humboldt Books, Milano, 2023
Serenata. Enzo Forese, Cecilia Mentasti, curated by Simone S. Melis. Exhibition view, Castel Hörtenberg, Bolzano, 2022 [ph Carlos Gasparotto]
Serenata. Enzo Forese, Cecilia Mentasti, curated by Simone S. Melis. Exhibition view, Castel Hörtenberg, Bolzano, 2022
Serenata. Enzo Forese, Cecilia Mentasti, curated by Simone S. Melis. Exhibition view, Castel Hörtenberg, Bolzano, 2022 [ph Carlos Gasparotto]
Monuments also die (installation and performance), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (installation), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (research), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (photographs), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (photographs), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (photographs), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (photographs), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die, installation view of the exhibition Kunst ist. 20 anni di MeranoArte, curated by Andreas Kofler and Magdalene Schmidt, KunstMerano/MeranoArte, 2021 – Ph Ivo Corrà
Monuments also die (documentation book), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (documentation book), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (documentation book), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
Monuments also die (collage), graduation project, Faculty of Design and Art, Free University of Bolzano-Bozen, 2018
New Domestic Escape, softcover with dust-jacket, 143 pages, 120 x 245 mm, edited by IDM Südtirol and Free University of Bolzano-Bozen, 2021 [with and as hund]
New Domestic Escape, softcover with dust-jacket, 143 pages, 120 x 245 mm, edited by IDM Südtirol and Free University of Bolzano-Bozen, 2021 [with and as hund]
Lupo Borgonovo, website, 2020
Lupo Borgonovo, website, 2020
Lupo Borgonovo, website, 2020
Lilo Hermann und Der Kaiser von Atlantis, saddle-stitch bound, 16 pages, 210 x 140 mm, 2018, opera program for Conservatorio Monteverdi Bolzano
Lilo Hermann und Der Kaiser von Atlantis, saddle-stitch bound, 16 pages, 210 x 140 mm, 2018, opera program for Conservatorio Monteverdi Bolzano
Lilo Hermann und Der Kaiser von Atlantis, saddle-stitch bound, 16 pages, 210 x 140 mm, 2018, opera program for Conservatorio Monteverdi Bolzano
Lilo Hermann und Der Kaiser von Atlantis, saddle-stitch bound, 16 pages, 210 x 140 mm, 2018, opera program for Conservatorio Monteverdi Bolzano
Unfolding Pavilion. Rituals of Solitude, online exhibition curated by Davide Tommaso Ferrando and Daniel Tudor Munteanu, 2020 [with and as hund]
Unfolding Pavilion. Rituals of Solitude, online exhibition curated by Davide Tommaso Ferrando and Daniel Tudor Munteanu, 2020 [with and as hund]
Unfolding Pavilion. Rituals of Solitude, online exhibition curated by Davide Tommaso Ferrando and Daniel Tudor Munteanu, 2020 [with and as hund]
Unfolding Pavilion. Rituals of Solitude, online exhibition curated by Davide Tommaso Ferrando and Daniel Tudor Munteanu, 2020 [with and as hund]
Eccellenze italiane. La nuova generazione degli illustratori per ragazzi, softcover, 128 pages, 190 x 265 mm, published by Corraini Edizioni, Mantova, 2021 [with and as hund]
Eccellenze italiane. La nuova generazione degli illustratori per ragazzi, softcover, 128 pages, 190 x 265 mm, published by Corraini Edizioni, Mantova, 2021 [with and as hund]
Eccellenze italiane. La nuova generazione degli illustratori per ragazzi, softcover, 128 pages, 190 x 265 mm, published by Corraini Edizioni, Mantova, 2021 [with and as hund]
Vases, collage, 2016
N.30 di 469, saddle-stitch bound, 8 pages, 210 x 297 mm, 2018, realized during The Hidden City, Palazzo Abatellis, Palermo
N.30 di 469, saddle-stitch bound, 8 pages, 210 x 297 mm, 2018, realized during The Hidden City, Palazzo Abatellis, Palermo
Exercises in graphic design, installation for the exhibition in_festa, co_atto space, Milan, 2020 [with and as hund]
Exercises in graphic design, installation for the exhibition in_festa, co_atto space, Milan, 2020 [with and as hund]
Serenata. Enzo Forese, Cecilia Mentasti (exhibition guide), folded A3, 210 x 297 mm, curated by Simone S. Melis, Castel Hörtenberg, Bolzano, 2022
Serenata. Enzo Forese, Cecilia Mentasti (exhibition guide), folded A3, 210 x 297 mm, curated by Simone S. Melis, Castel Hörtenberg, Bolzano, 2022
Website for the London-based photographer Carlos Gasparotto, 2022
Website for the London-based photographer Carlos Gasparotto, 2022
Website for the London-based photographer Carlos Gasparotto, 2022
Diplorama 2021 Universal Set (lettering), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo]
Diplorama 2021 Universal Set (catalogue), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo]
Diplorama 2021 Universal Set (catalogue), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo]
Diplorama 2021 Universal Set. Faculty of Design and Art Graduation show (catalogue), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo]
Diplorama 2021 Universal Set (catalogue), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo]
Diplorama 2021 Universal Set (exhibition design), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo] Ph Pietro Coda
Diplorama 2021 Universal Set (exhibition design), exhibition identity for Free University of Bolzano-Bozen, 2021 [with and as hund, art direction: Michele Galluzzo] Ph Alberto Cappellina
From Giorgio Vasari, “Battaglia di Scannagallo” - fresco, 1565. Salone dei Cinquecento, Palazzo Vecchio - Florence
Broken Nature XXII Triennale di Milano, edited by Paola Antonelli and Ala Tannir, softcover, 360 pages, 190 x 245 mm, published by Electa, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milano] – Ph Delfino S. Legnani
Broken Nature XXII Triennale di Milano, edited by Paola Antonelli and Ala Tannir, softcover, 360 pages, 190 x 245 mm, published by Electa, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milano] – Ph Delfino S. Legnani
Mostra Internazionale d’Arte Cinematografica: La Biennale di Venezia 1932–2019, softcover, 1031 pages, 165 x 240 mm, published by La Biennale di Venezia, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Mostra Internazionale d’Arte Cinematografica: La Biennale di Venezia 1932–2019, softcover, 1031 pages, 165 x 240 mm, published by La Biennale di Venezia, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Daisy (drawings), drawing machine, contribution for the research project Macchine per disegnare by Giorgio Camuffo and Maddalena Dalla Mura, Free University of Bolzano-Bozen, 2016
Ginevra Dolcemare, portfolio for the artist, 2021
BRACE BRACE (visual identity), artist-run space, Milan, 2019 – Ph Francesco Paleari
BRACE BRACE (website), artist-run space, Milan, 2019 [with Ernesto Bellei]
BRACE BRACE (website), artist-run space, Milan, 2019 [with Ernesto Bellei]
BRACE BRACE (website), artist-run space, Milan, 2019 [with Ernesto Bellei]
Walk-in studio, Jacopo Rinaldi. iio sono un disgraziato il mio destino è di morire in prigione strangolato (exhibition posters), BRACE BRACE, Milan, 2020 – Ph Francesco Paleari
Cecilia Mentasti. have you ever been / where you already are? //, Altana. A place to enjoy the view (exhibition posters), BRACE BRACE, Milan, 2019-2020 – Ph Francesco Paleari, Elia Pinna
Francesco Pozzato. La tenda dei cento divani, Cecilia Mentasti. have you ever been / where you already are? // (exhibition posters), BRACE BRACE, Milan, 2019-2021 – Ph Francesco Paleari
Francesca Finotti. burning, burning (booklet), saddle-stitch bound, 12 pages, 120 x 180 mm, BRACE BRACE, Milan, 2019
Francesco Pozzato. La tenda dei cento divani (exhibition guide), folded A3, project curated by BRACE BRACE for ArtVerona16, Verona, 2021
Jacopo Rinaldi. iio sono un disgraziato il mio destino è di morire in prigione strangolato (booklet), saddle-stitch bound, 20 pages, 160 x 240 mm, drawing on the back cover by Alessandro Di Pietro, BRACE BRACE, Milan, 2019
Ginevra Dolcemare, Guildor. A Political Statement (digital invite), project curated by BRACE BRACE for SPRINT – Indipendent Publishers and Artists’Books Salon 2020, Milan
Ginevra Dolcemare, Guildor. A Political Statement (foldable poster), 297 x 420 mm, project curated by BRACE BRACE for SPRINT – Indipendent Publishers and Artists’Books Salon 2020, Milan
Studio sulle arti performative (Spotify covers), a project by BRACE BRACE, Milan, 2020
BRACE BRACE (napkins), BRACE BRACE, Milan, 2021 [with Elisa di Nofa]
Cecilia Mentasti. have you ever been / where you already are? // (exhibition map), BRACE BRACE, Milan, 2021
QuiLiLa, installation with custom helium-inflated balloons, Free University of Bolzano–Bozen, 2017 [with Antonio Alessandro Di Cicco]
Giorgio Camuffo. Cani morti (artist book), transparent dust-jacket, 16 riso-printed pages, 145 x 210 mm, published by Cavalli Educati (Antonio A. Di Cicco, Simone S. Melis), Bolzano, 2017
Laurina Paperina. Porci comodi (artist book), transparent dust-jacket, 16 riso-printed pages, 145 x 210 mm, published by Cavalli Educati (Antonio A. Di Cicco, Simone S. Melis), Bolzano, 2017
Psicosi e lenticchie. Cronache di un’Italia che trema (installation), Free University of Bolzano–Bozen, 2016 [with Andrea Lascala]
Psicosi e lenticchie. Cronache di un’Italia che trema (installation), Free University of Bolzano–Bozen, 2016 [with Andrea Lascala]
Psicosi e lenticchie. Cronache di un’Italia che trema, (installation), Free University of Bolzano–Bozen, 2016 [with Andrea Lascala]
Psicosi e lenticchie. Cronache di un’Italia che trema, softcover, 100 x 120 mm, published in the occasion of FAKE NEW(S) organized by Pietro Corraini and Matteo Moretti, Free University of Bolzano–Bozen, 2016
Night Shifts series. Talks from the Art Studios, posters, 500 x 700 mm, Faculty of Design and Art, Free University of Bolzano–Bozen, 2018
Niklaus Troxler. Open Talk, series of three posters, 700 x 100 mm, Free University of Bolzano–Bozen, 2018
Andrea Artemisio. Zanzare, exhibition identity for MASSIMO space, Milan, 2022
L'avvenire appartiene ai fantasmi. L'archivio delle donne nell'Accademia di Brera, exhibition identity for Accademia di Belle Arti di Brera, Milan, 2022
L'avvenire appartiene ai fantasmi. L'archivio delle donne nell'Accademia di Brera, exhibition identity for Accademia di Belle Arti di Brera, Milan, 2022
L'avvenire appartiene ai fantasmi. L'archivio delle donne nell'Accademia di Brera (catalogue), exhibition identity for Accademia di Belle Arti di Brera, Milan, 2022
Venite a vedere Milano San Felice (exhibition guide), folded A3, exhibition curated by BRACE BRACE, Milan, 2023
Biscotto. Andrea Di Lorenzo, Bekhbaatar Enkthur, exhibition identity for Spazio Contemporanea, Brescia, 2023
Frantoio sociale, research project with Studio GISTO, 2021 [with and as hund]
Frantoio sociale, research project with studio GISTO, workshop in the context of Non-Extractive Architecture, VAC Foundation, Venice, 2021 [with and as hund]
Design as a tool for transition: the Atelier Luma approach, edited by Vera Sacchetti and Jan Boelen, hardcover with dust-jacket printed with algae-based ink, 271 pages, 160 x 240 mm, published by Luma Foundation, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Design as a tool for transition: the Atelier Luma approach, edited by Vera Sacchetti and Jan Boelen, hardcover with dust-jacket printed with algae-based ink, 271 pages, 160 x 240 mm, published by Luma Foundation, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Design as a tool for transition: the Atelier Luma approach, edited by Vera Sacchetti and Jan Boelen, hardcover with dust-jacket printed with algae-based ink, 271 pages, 160 x 240 mm, published by Luma Foundation, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Design as a tool for transition: the Atelier Luma approach, edited by Vera Sacchetti and Jan Boelen, hardcover with dust-jacket printed with algae-based ink, 271 pages, 160 x 240 mm, published by Luma Foundation, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Building a New New World. Amerikanizm in Russian Architecture, map design for the exhibition held at the CCA Montreal, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Building a New New World. Amerikanizm in Russian Architecture, map design for the exhibition held at the CCA Montreal, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]
Building a New New World. Amerikanizm in Russian Architecture, map design for the exhibition held at the CCA Montreal, 2019 [Designed at Studio Folder (Marco Ferrari, Elisa Pasqual), Milan]